Tag Archives: race

Tinder: Invention of Together

Production company Buck have worked with Tinder to create this adorable animation for the dating app. It’s a far cry from what I would expect from Tinder, but the “history of man and woman” concept works really well. It seems Tinder are trying to move away from being seen as a hookup app, and more about finding someone with a connection:

In this epic history of man and womankind’s eternal struggle to couple… and do other things, the good folks at Tinder let us get our art on to create a luscious world where people have wonderbutts… and the same face.

Will this animation help the apps reputation? I’m not so sure… but from a creative perspective it’s a fantastic narrative with strong connotations towards the evolution of man and woman both physically and emotionally. ‘Invention of Together’ shows how thousands of years ago choosing who you wanted to date or love wasn’t an option – the narrative explores forced marriages, religious and moral differences – but now with the freedom to date who we want, Tinder aims to make this even easier to build new connections. We see a nod to the struggles of having homophobic parents and the celebration of the legalisation of interracial marriage.

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I recommend looking at Buck’s development section on their website to see the process of the wonderful character design. Buck used physical sets with computer generated characters, which required a month of shooting and eight weeks of postproduction. They really committed to the idea of evolution of man and woman by making each of the characters from the same body: “One of the concepts that we had was that all of mankind is from the same place and I guess to make the characters feel like they were all one family. So if you watch, the caveman [bodies] are the same as the modern-day characters’ [bodies]”:

The film will be rolled out online globally, following its debut in South Korea in December 2017. You can also see some awesome BTS shoots here.

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Procter & Gamble: The Talk

Get the tissues out! This short film by BBDO (New York) was created for My Black is Beautiful, a group of visionary black women at P&G (created in 2006) to spark a broader dialogue about black beauty. The megaconglomerate owning almost every brand (apart from those owned by Unilever) showcases unique, and real stories with the aim of encouraging viewers to start a conversation on social media with the hashtag #TalkAboutBias.

“The Talk” narrates 6 stories of different generations of black families and the talk parents have to have with their children about discrimination. This is an ad for all countries, but the specific reference to police violence in the US is a very clear statement from P&G, and one that needs to be talked about. Although P&G have stated this is not a political statement, but a reflection of real life, some self righteous white people are claiming that it supports “cop-hate” – of course, making it about them rather than the issue at hand – racial bias.
Well, Dove, this is how it’s done! If a brand or an agency wants to talk about racism and discrimination, this is exactly how it should be communicated. The campaign doesn’t end there – a series of conversations about various aspects of racial bias continues on P&G’s “The Talk” website.

Damon Jones, P&G’s Director of Global Company Communications said:

Great advertising opens hearts and changes minds, but doesn’t have to stop there. We believe great advertising can inspire real, lasting change. That’s the aspiration behind ‘The Talk’. These real-life conversations about conscious and unconscious bias are too common in homes across the country and weigh heavily on parents and children of many different backgrounds. We take seriously the opportunity to spark dialogue on what we all can do to put an end to the harmful effects of bias, and motivate true change.

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The Atlantic: Michael K. Williams Asks “Am I Typecast?”

Weiden + Kennedy (New York) have created an incredible short film for The Atlantic magazine featuring actor Michael K. Williams, who questions if he is being typecast in Hollywood. This is an incredibly poignant topic, and it was performed in this ad so poetically, discussing issues such as race relations and the US election.

Following The Atlantic’s tagline “Question Your Answers”, the short film conveys four different versions of Michael interrogating each other about whether he can escape being typecast. It’s a topic one would assume shouldn’t be an issue in 2017, but it is and always has been.

David Shane (Director) said:

This was such a nice opportunity for Michael to un-typecast himself because, in one piece, he gets to show his dry comedic timing, his raw menace and the depth of emotion he’s able to access. This is a deceptively simple looking piece – the degree of difficulty for him was so much greater than it looks. He had a lot of balls in the air.

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#CHRISTMASSOWHITE

Christmas So White is a project that aims to shine light on the lack of diversity in advertising, particularly in this case, BAME (black Asian minority ethnic) families in Christmas campaigns.

This campaign, inspired by the #OscarsSoWhite campaign, aims to protest the underrepresentation of people of colour online with particular focus on Christmas, which is currently a white – wash.
In partnership with Selma Nicholls from Modelling Agency ‘Looks Like Me’ and with huge support from 8 agencies within the marketing community, Selma, Nadya, Nathalie and Wren set up a photoshoot to show different representations of the unseen British Christmas experience.

“I’m dreaming of a wh-multicultural Christmas!” This gorgeous campaign is sadly so reflective of race on our TV screens and in the magazines. The campaign has been financed by 8 large media and marketing groups including Google, MediaCom, Saatchi & Saatchi and Edelman. Devised by Nadya Powell, the website will aim to form a hub of Christmas imagery of families from diverse backgrounds celebrating the festive holiday through the use of the hashtag “#ChristmasSoWhite” on social media.

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