Tag Archives: campaign

Spotlight: Henry James Garrett | Drawings of Dogs

Brighton based illustrator Henry James Garrett aka Drawings of Dogs first created his wonderful illustrated stories after dropping out of his PhD studies due to anxiety. He started drawing and creating stories as a means of soothing his anxiety, which eventually lead to selling greeting cards. This is his story, wonderfully illustrated, of course:


I first found out about Henry’s illustrations from Pride London who have collaborated with him for this year’s Pride festival. Prior to this he currently has a series of weekly cartoons for The i Newspaper, which features other animals, called Adventures in Anthropomorphism. The comic above is a narrative told by Billie, Henry’s real life dog, which first appeared in CALMzine, a magazine for mental health charity CALM. This makes me love Henry even more because I am a huge supporter of CALM.

So he’s created illustrations for Pride and CALM. He’s living my dream.


Pride tweeted “Homophobia can duck off! Around 1,500 animal species practice same-sex coupling. Only one species practices homophobia.”


“Trans women are women. Trans men are men. Non-binary people are non-binary. Always assume that a person is an expert in themself.”


Above are some of the illustrations he has created for Pride, but he also covers other topics like racism, feminism, kindness, politics, and of course his usual funny animal jokes:


I love his style – the simple, line drawn illustrations is reminiscent of my own preferred illustration style. I have always been drawn (pun intended) towards art that conveys a strong message and make us question how we treat each other. Comics that make us giggle are great too – let’s not under-appreciate his copy skills.

I honestly will be here forever if I post all my favourites, so make sure you check out his Instagram.

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Squarespace: Make It | ManvsMachine

It’s very rate that I see a campaign that is visually and conceptually integrated seamlessly across all mediums of the campaign, but ManvsMachine has (once again) created something that has a strong and stunning visual identity.
Design and motion studio ManvsMachine are one of my favourite creative teams, and they were commissioned to work with Squarespace on the “Make It” campaign. They worked closely with the Squarespace team to create three commercials for their 2017 campaign: “each film is a tactile-take on the online experience —Blurring the lines between digital and physical, in a playful showcase of three iconic creatives & their worlds”.



The short films feature fashion designer Sadie Williams, artist Daniel Arsham and chef, Danny Bowien. It’s rare that a TV ad produces such gorgeous stills that could be used across the rest of the campaign – it goes to show how great ManvsMachine’s creative process is.
This flows nicely into the campaign imagery for digital content featuring “still life” scenes, showcasing the brand’s platform within the context of its users. The brief focused on “Digital made Physical” and the visual narratives successfully convey the brand’s bespoke features.


ManvsMachine’s iconic abstract and crafted style is so visually wonderful and is the perfect fit for a Squarespace campaign. The seamless aesthetic bridges the gap between reality and 3D (as their work always does) which was brought to life by using a wide range of software and hardware including Cinema 4D, Houdini, Maya, ZBrush, Redshift, Agisoft Photoscan, After Effects, Nuke… I recommend looking at their design process – these are a few snapshots:


It is very, VERY rare I see a banner and think “wow, I really like that”, especially after having to design hundreds of drab banners myself, but even the design for the banner ads are amazing! I’ve never thought a banner is amazing!

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Having complete creative control, ManvsMachine were in charge of concept, design and direction, which was rolled across digital, social, TV spots and OOH. I can’t emphasise how refreshing it is to see such a visually beautiful campaign. This is how its done!!!


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Doritos Blaze vs. Mountain Dew Ice

“The matchup you never knew you needed to see”. PepsiCo has started the much anticipated influx of Super Bowl adverts by recruiting Morgan Freeman and Peter Dinklage alongside rappers Missy Elliott and Busta Rhymes to appear in an advert for Doritos and Mtn Dew. The full 60-second spot from Goodby Silverstein & Partners is the first time any of its products have been advertised together.

The campaign concept is a lip-sync rap battle with Dinklage lip syncing to Busta’s’ “Look at Me Now” and Freeman lip syncing to Missy’s “Get Ur Freak On”. Doritos is pushing its new spicy Blaze flavor and Mountain Dew is advertising the new lemon-lime Dew Ice, so it’s fire vs. ice.

PepsiCo (North America) Chief Executive Al Carey said:

This is a great example of the power of PepsiCo’s food and beverage portfolio coming to life for consumers on one of the world’s largest stages. Doritos and Mtn Dew go perfectly together, and both brands have passionate fan bases. We think consumers will love Doritos Blaze and Mtn Dew Ice, as well as this engaging Super Bowl ad.

The campaign includes content for Snapchat lens on Super Bowl Sunday where fans can record themselves trying to lip-sync like Dinklage or Freeman. Additionally, the ads are accompanied by hilarious short clips below.

I love this concept! It’s so interesting to see two products in one advert. What a cast too.

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OkCupid: DTF

Ad agency Wieden + Kennedy (New York) were commissioned by dating service OkCupid to create a new campaign. Online dating has created a whole new set of vocabulary for millenials, like “ghosting” (ignoring someone), “nudes” (sending unsolicited naked photos), “catfish” (creating fake profiles) and “DTF” (“down to f*ck”). Using these common problems that online daters experience, the concept focuses on trying to rid the stigma of “hookup sites” and the dehumanisation of modern dating.

OkCupid’s CMO Melissa Hobley said:

In the current political and social climate, we felt a responsibility and saw an opportunity to play a part in changing the conversation about dating culture and empowering each individual to reclaim the meaning of DTF and make it theirs.

With this as the aim of the campaign, W+K used the phrase “DTF” and turned it into “down to <insert activity or interest here>”, such as “DTFight over the president”, “DTFinish my novel” and “DTFoot the bill”:


OkCupid’s change in approach towards online dating aims to achieve substance and depth through the app’s new features, as it recently rolled out OkCupid Discovery, which lets users search by passions and interests. Interestingly, one of these is adding a “Trump filter”, which directly correlates with this campaign’s brand voice, particularly with the political references in some of the ads (above).

The photography for the campaign was shot by artists Maurizio Cattelan and Pierpaolo Ferrari, the creators of Toilet Paper magazine. Cattelan and Ferrari have a unique and recognisable aesthetic, always creating work that is brightly coloured and resembles old-school fashion advertisements. I absolutely love what they have created.
The playful nature of the art direction focuses on the fun and romantic sides of dating, rather than the historically misogynistic and disposable aspects that “DTF” dating apps (like Tinder and Grindr) have adopted. Each colourful ad is illustrated with an image against a flat, bright-hued background, making every image seem like a work of art.


The ads will initially be rolled out in New York subways, and will eventually be displayed all over the USA. This is actually OkCupid’s first ever ad campaign which includes bus wraps, coffee sleeves, OOH posters and digital posts. The tagline “dating deserves better” is part of OkCupid’s efforts to market the service as one that can help you find a relationship, not just a hookup.

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Chris Hughes for Mental Health Awareness: Top man | CALM

Yesterday, Love Island’s Chris Hughes released a bizarre video campaign for a collaboration with Topman called “L’eau de Chris”. The video posted on Instagram received a lot of criticism, labelling Chris a joke and a narcissist for selling the drink for £2. The post saw the 24-year-old star posing in his underwear with “Mineral water infused with a Chris Hughes tears”.


As an avid Love Island viewer (no shame here) I assumed that the ad was a parody and a p*ss-take – Chris is known for his dead-pan humour and providing many giggles to millions of viewers this summer. To my surprise the campaign was in fact real, but not for a self-absorbed product to build his brand. Chris has teamed up with mental health charity CALM (Campaign Against Living Miserably) to raise awareness about male mental health and the male suicide epidemic.

CALM launched the #Don’tBottleItUp campaign to urge men not to internalise their emotions after it was found in a poll for YouGov that 84% of UK men say they bottle up their emotions. Chris collaborated with world famous photographer RANKIN for this project.

L’eau de Chris? What’s really ludicrous is that suicide is still the single biggest killer of young men in the UK. We live in a culture that encourages men to “man up” and bottle things up. That’s why I’ve become an Ambassador for CALM and why together with TOPMAN we want to show men across the UK that it’s okay to open up instead of bottling it up.

Hughes is now proudly an ambassador for CALM, and broke down in tears at an event yesterday whilst explaining his own struggles with mental health. Whilst on Love Island, Chris was praised for being very open with his feelings, something which men and boys struggle with immensely. Whoever chose Chris as ambassador certainly hit the nail on the head when it comes to targeting young people, as his name is everywhere in the world of gossip and celebrity since stealing our hearts on ITV2.
The limited edition promotional run of L’Eau de Chris water bottles (yes they are real) created for Chris’s campaign launch will now be auctioned here, with all proceeds going to support the charity. Also, Topman will donate £2 from every pack of Topman boxers sold from 10th – 31st October to CALM, in support of the #DontBottleItUp campaign.


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Period Equity: Periods Are Not a Luxury

Just like here in the UK, 36 states in the US still collect sales tax on tampons and sanitary towels. In June 2017, the federal Senate in Australia voted down a motion by the greens to remove the GST from all female sanitary products, a tax which does not apply to condoms or lubricant. Absurd right?! So, ad agency J.Walter Thompson and The Sweet Shop created an absurd product to go with this tax law, along with a tongue-in-cheek campaign for Period Equity.
Along with the help of actress/model Amber Rose’s sultry voice, they point out that 36 US states have failed to classify menstrual products as a necessity, therefore taxing them as a luxury… just like a diamond necklace! The campaign actually launched at Amber Rose’s OPENed Women’s Conference and annual SlutWalk on September 30th in LA.


This isn’t the first time I have blogged about Period Equity – the redesign by Pentagram’s Paula Scher caught my eye earlier this year.
Most people are not aware that the tax targets half of the US population, and I definitely think this issue should be raised (again) in the Houses of Parliament here too. What a fantastic campaign.

Jennifer Weiss-Wolf, co-founder of Period Equity said:

We were thrilled to collaborate on this project with JWT and Amber Rose. There’s a long road ahead in the fight for safe and accessible menstrual products for all, as well as instigating open, shame-free conversation around periods. This campaign, coupled with Amber’s unflinchingly strong voice on gender issues, is a smart approach to drumming up much needed discourse around menstrual equity, and calling for systemic change as well.

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Meet the Meat: M&C Saatchi

The Task Force on Human Trafficking and Prostitution (TFHT) teamed up with M&C Saatchi (Tel Aviv) to campaign for the legislation to prohibit prostitution, aiming to put an end to the prostitution industry in Israel. Mortality rates among Israeli female prostitutes are 40 times higher than the rest of the population, so M&C aimed to reduce the demand for prostitution by engaging with consumers who finance the industry.
The message for this campaign is that women are not a product for consumption, so they created a pop-up ‘food’ truck parked opposite the Israeli Parliament selling “women’s meat” sandwiches called ‘Breast Amal’ and ‘Ribs of Yael’, packaged into brown paper bags with real life stories of prostitutes:


The experiential ‘Meet the Meat’ creative also features a truck with an illustration of a woman’s body divided into ‘cuts’, just like a cow. The vivid and disturbing creative reflects the dark facts – according to a survey by the Ministry of Social Affairs and Social Services, 12,500 women, men and teenagers are employed in prostitution in Israel.

Tzur Golan, ECD and Partner at M&C Saatchi, Tel Aviv said:

We can’t stand by and let this continue. It’s important to highlight the fact that every day vulnerable men, women and teenagers are employed in prostitution – and it’s getting worse. The best way to stop the wheels of this industry is to harm demand – if there’s no demand there won’t be supply. We wanted to create meaningful work and will continue to support TFHT as they continue to take a stand against the prostitution industry.

This is an incredible example of using advertising for social change – not just creating awareness in the most basic marketing form, but by using an in-your-face, bold and gross tactic is a sure way to get people talking. Hopefully it will get the government talking too.

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First Instagram Ads: Yay or nay?

Ad agency Wieden + Kennedy were commissioned by Instagram to create the new (and first ever) ads for Instagram. The Amsterdam offices created “Stories Are Everywhere,” for the Instagram Stories campaign – Instagram’s first global campaign – with the aim to promote features such as live video, brushes and stickers.

Reflecting how the platform behaves, the campaign’s executions are intended to inspire and excite the audience about the many possibilities available to express themselves. Film content presents small, unexpected moments that are instantly sharable and dynamic outdoor is contextual to the user’s environment. Within the Instagram app, function drivers educate users about the array of features. These executions playfully work together to remind users that Instagram Stories is the place to share life’s highlights and all the casual, everyday moments in between.

The campaign was shot on an iPhone, using just the Instagram app:


However, the short films showing a juxtaposition of professionally shot footage and “homemade” style footage, does not work for me. They appeared at the Insta Stories Festival in Cologne, Germany last month:


Praised for celebrating the diversity of expression, they aim to release 20 to 25 films by the end of the campaign, with over 270 billboards and guerrilla OOH, appearing on train stations in Philadelphia and Milan. The concept and the print ads work nicely, but for me the short films above looks like some weird montage. What do you think?

The film compilation is a nay from me! The rest of the campaign – meh. Disappointed as a huge Instagram user and fan.

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Pride in London: Love Happens Here | WCRS

WCRS were commissioned by Pride in London to create a campaign for Pride 2017, whilst also marking 50 years since the legalisation of homosexuality in the UK. The campaign has been huge, featuring TV ads for Pride for the first time ever. In fact, the campaign has been split into two narratives – love and hate – to portray both ends of the spectrum for the LGBT+ community.

The first part of the multimedia campaign explored hate crime, emotionally and physically, including posters, Wi-Fi takeover, an event, London taxi skins and a film:

Additionally, an advert directed by Fred Scott will appear exclusively on Channel 4 during a special season of programming, followed by four films. The emotional advert (below) ‘The Apology’, features apologies from those who have lost relationships with love ones after judging and not accepting their sexuality:


The second part of the multimedia campaign, released today, will include digital OOH sites portraying real life love stories from members of the LGBT+ community, illustrated by 30 different artists and illustrators. Illustrators have created the works for free, using the branded heart ‘pin’ icon, which will be available at the Tate as part of their Queer Britain season.
Here’s a few of my favourite illustrations:

Love stories are available on Pride’s interactive love map:

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The ‘Love’ aspect of the campaign aims to show that love happens in London despite the sad reality of the ‘Hate’ part. Ross Neil, ECD at WCRS said:

This is a campaign that started from a negative place of hatred and has blossomed into a full technicolour, full volume, inclusive expression of love. The greatness of the creative is matched only by the sheer scale of companies and individuals.

The campaign doesn’t stop there – Pride are encouraging Londoners to create their own pins and share their love stories on social media. It’s a fantastic campaign, and whilst I’m not the biggest fan of the original heart pin design itself, the multi faceted narrative this campaign has explored is wonderful.

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BBC Creative / Mother: Sorry Not Sorry for Being Me

Ad agency Mother (London) have teamed up with BBC Creative to create a branding campaign for BBC Three’s new project. Created by Mother Design, the campaign is for a new season of original programming about self-expression – something that sounds right up my street! This is an integrated campaign, which the audience can contribute towards. Engaging with young, diverse viewers with a message about identity and uniqueness, the aim is to promote BBC Three, and ignite a conversation about self-identity. The campaign also encourages viewers to create their own poster and share it on social media platforms.



The campaign includes online media, DOOH, billboards, broadcasting through the BBC’s own channels, and social media:




I’m definitely a fan of this campaign both in terms of concept and execution. The art direction is simple but bold. It’s also nice to recognise the faces of those in the campaign (above)!

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