Tag Archives: advertising

Chris Hughes for Mental Health Awareness: Top man | CALM

Yesterday, Love Island’s Chris Hughes released a bizarre video campaign for a collaboration with Topman called “L’eau de Chris”. The video posted on Instagram received a lot of criticism, labelling Chris a joke and a narcissist for selling the drink for £2. The post saw the 24-year-old star posing in his underwear with “Mineral water infused with a Chris Hughes tears”.

 

As an avid Love Island viewer (no shame here) I assumed that the ad was a parody and a p*ss-take – Chris is known for his dead-pan humour and providing many giggles to millions of viewers this summer. To my surprise the campaign was in fact real, but not for a self-absorbed product to build his brand. Chris has teamed up with mental health charity CALM (Campaign Against Living Miserably) to raise awareness about male mental health and the male suicide epidemic.

CALM launched the #Don’tBottleItUp campaign to urge men not to internalise their emotions after it was found in a poll for YouGov that 84% of UK men say they bottle up their emotions. Chris collaborated with world famous photographer RANKIN for this project.

L’eau de Chris? What’s really ludicrous is that suicide is still the single biggest killer of young men in the UK. We live in a culture that encourages men to “man up” and bottle things up. That’s why I’ve become an Ambassador for CALM and why together with TOPMAN we want to show men across the UK that it’s okay to open up instead of bottling it up.

Hughes is now proudly an ambassador for CALM, and broke down in tears at an event yesterday whilst explaining his own struggles with mental health. Whilst on Love Island, Chris was praised for being very open with his feelings, something which men and boys struggle with immensely. Whoever chose Chris as ambassador certainly hit the nail on the head when it comes to targeting young people, as his name is everywhere in the world of gossip and celebrity since stealing our hearts on ITV2.
The limited edition promotional run of L’Eau de Chris water bottles (yes they are real) created for Chris’s campaign launch will now be auctioned here, with all proceeds going to support the charity. Also, Topman will donate £2 from every pack of Topman boxers sold from 10th – 31st October to CALM, in support of the #DontBottleItUp campaign.

 

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Period Equity: Periods Are Not a Luxury

Just like here in the UK, 36 states in the US still collect sales tax on tampons and sanitary towels. In June 2017, the federal Senate in Australia voted down a motion by the greens to remove the GST from all female sanitary products, a tax which does not apply to condoms or lubricant. Absurd right?! So, ad agency J.Walter Thompson and The Sweet Shop created an absurd product to go with this tax law, along with a tongue-in-cheek campaign for Period Equity.
Along with the help of actress/model Amber Rose’s sultry voice, they point out that 36 US states have failed to classify menstrual products as a necessity, therefore taxing them as a luxury… just like a diamond necklace! The campaign actually launched at Amber Rose’s OPENed Women’s Conference and annual SlutWalk on September 30th in LA.

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This isn’t the first time I have blogged about Period Equity – the redesign by Pentagram’s Paula Scher caught my eye earlier this year.
Most people are not aware that the tax targets half of the US population, and I definitely think this issue should be raised (again) in the Houses of Parliament here too. What a fantastic campaign.

Jennifer Weiss-Wolf, co-founder of Period Equity said:

We were thrilled to collaborate on this project with JWT and Amber Rose. There’s a long road ahead in the fight for safe and accessible menstrual products for all, as well as instigating open, shame-free conversation around periods. This campaign, coupled with Amber’s unflinchingly strong voice on gender issues, is a smart approach to drumming up much needed discourse around menstrual equity, and calling for systemic change as well.

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The Official Food of Everything: Domino’s | VCCP

As an avid Hollyoaks fan (don’t judge) I see the same adverts at 6.30pm every weekday evening. That means I am subjected to the atrocity that is these Domino’s idents:

Those cheesy (excuse the pun) idents were created by ad agency Iris. Domino’s appointed VCCP as its lead creative and strategic agency for the UK and Ireland in April, but Iris will continue to work on the pizza chain’s digital business.

VCCP’s debut for Domino’s concepts the brand as “The official food of everything” with six TV spots, 2 of which have been aired so far:

Ads are running across radio, digital, social media, Spotify, and DOOH, alongside placements the on dating app Tinder as part of target audience of 16- to 34-year-olds. Users will see a Domino’s-branded profile card and when people swipe right they will be served an offer message to click through to the Domino’s website.

The fully integrated campaign focuses on humorous, real-life situations that narrate how food brings people together:

Forget Sunday roasts, fancy nights out and basic nights in, treat yourself to a Domino’s instead. Whether you’re feeding your squad on the go or having a family night in front of the telly, give the oven the night off and choose a freshly handmade pizza.

I think these ads are a real step up from Iris’s work. Perhaps even the best Domino’s ads (created in the UK) that I can remember! Welldone VCCP!

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Meet the Meat: M&C Saatchi

The Task Force on Human Trafficking and Prostitution (TFHT) teamed up with M&C Saatchi (Tel Aviv) to campaign for the legislation to prohibit prostitution, aiming to put an end to the prostitution industry in Israel. Mortality rates among Israeli female prostitutes are 40 times higher than the rest of the population, so M&C aimed to reduce the demand for prostitution by engaging with consumers who finance the industry.
The message for this campaign is that women are not a product for consumption, so they created a pop-up ‘food’ truck parked opposite the Israeli Parliament selling “women’s meat” sandwiches called ‘Breast Amal’ and ‘Ribs of Yael’, packaged into brown paper bags with real life stories of prostitutes:

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The experiential ‘Meet the Meat’ creative also features a truck with an illustration of a woman’s body divided into ‘cuts’, just like a cow. The vivid and disturbing creative reflects the dark facts – according to a survey by the Ministry of Social Affairs and Social Services, 12,500 women, men and teenagers are employed in prostitution in Israel.

Tzur Golan, ECD and Partner at M&C Saatchi, Tel Aviv said:

We can’t stand by and let this continue. It’s important to highlight the fact that every day vulnerable men, women and teenagers are employed in prostitution – and it’s getting worse. The best way to stop the wheels of this industry is to harm demand – if there’s no demand there won’t be supply. We wanted to create meaningful work and will continue to support TFHT as they continue to take a stand against the prostitution industry.

This is an incredible example of using advertising for social change – not just creating awareness in the most basic marketing form, but by using an in-your-face, bold and gross tactic is a sure way to get people talking. Hopefully it will get the government talking too.

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TrueView: Date Series

Creative agency Feed Me Light have teamed up with dating app TrueView for a quirky animation. FML created a series of animated shorts for the new dating service based on the sad fact that dating apps make finding love far less romantic and far more scary:

Labeled the ‘Undateable Suspects’, the series was developed based on a set of characters that had been created from real research on the dangerous individuals you encounter whilst looking for love online. FML’s 3D artist Remy Dupont brought these characters to life, including the likes of Billy Bad Chat, Six Pack Stu, Two Faced Tony and Dirty Pics Derrick:

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Lego: Build the Future

Ad agency Ogilvy & Mather (Bangkok) have created wonderful print ads for Lego’s new campaign ‘Build the Future’. No surprise here that they won a Silver Cannes Lions in ‘Print & Publishing’ and ‘Outdoor’ for the campaign. The art direction is absolutely spot on.

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The three careers were chosen as most desirable to children, then CGI studio Illusion (Bangkok) created the pieces using 3D illustration. Locations were strategically selected by Ogilvy for the campaign – the astronaut ad was placed at the planetarium or science museum, the rockstar ad was placed at music schools and the firefighter ad was placed in outdoor playgrounds.

Vice Chairman Nopadol Srikieatikajohn (Ogilvy Thailand) told AdFreak:

Lego’s ultimate purpose is to inspire and develop children to think creatively, reason systematically and release their potential to shape their own future. The brand believes that play is a key element in children’s growth and development. High-quality play enriches a child’s life and lays a strong foundation for adult life.

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Patrons of Pride: Mr President

Ad agency Mr President celebrated pride by creating illustrations to honor 4 iconic LGBT+ icons. Immortalised in the style of stained glass windows, Ellen DeGeneres, George Michael, Nicola Adams, and Laverne Cox were chosen as representatives of love, tolerance and inspiration.

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The agency explained the reason behind the project:

Here at Mr. President we celebrate diversity in all its forms. We don’t care about your gender or sexuality, we think you’re awesome. … Together we talked, laughed, debated and swapped stories before creating our Patrons of Pride campaign honouring four incredible people from the LGBT communities (one from each) – Ellen DeGeneres; George Michael; Nicola Adams and Laverne Cox.

 

It’s nice to see a campaign that has no link to a brand/client or marketing campaign – sometimes it’s difficult to differentiate between genuine support for the LGBT+ community or just a marketing ploy.
The illustrations were displayed on windows overlooking Soho Square for Pride in London on Saturday 8th July:

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KFC: Lunchtime is coming | Game of Thrones

Disclaimer: I hate KFC. I f*cking hate everything it embodies. The fast food chain of death epitomises the animal flesh churching machine that is destroying this world, our bodies and our brains. I would burn every single chain of that money-making, Kentucky-fried-CRUELTY, diabetes and obesity promoting hell-hole if I could.

*and breathe*

Ad agency BBH have been enlisted by KFC to promote their new Ricebox (aka original chicken with rice in stead of fries). Actor Kristian Nairn recreated his character Hodor’s iconic ‘Hold the door’ scene from Game of Thrones.

I tried so hard to hate this. I tried to hate this wonderful ad with every fibre of my being… but it’s fantastic. For now, let’s just try to ignore who the client is and appreciate the creative genius of the concept and execution.
As a GoT fan, it’s even better! The lovable giant is back on our screens, providing a fantastically emotional performance, as usual. Trigger!!!

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First Instagram Ads: Yay or nay?

Ad agency Wieden + Kennedy were commissioned by Instagram to create the new (and first ever) ads for Instagram. The Amsterdam offices created “Stories Are Everywhere,” for the Instagram Stories campaign – Instagram’s first global campaign – with the aim to promote features such as live video, brushes and stickers.

Reflecting how the platform behaves, the campaign’s executions are intended to inspire and excite the audience about the many possibilities available to express themselves. Film content presents small, unexpected moments that are instantly sharable and dynamic outdoor is contextual to the user’s environment. Within the Instagram app, function drivers educate users about the array of features. These executions playfully work together to remind users that Instagram Stories is the place to share life’s highlights and all the casual, everyday moments in between.

The campaign was shot on an iPhone, using just the Instagram app:

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However, the short films showing a juxtaposition of professionally shot footage and “homemade” style footage, does not work for me. They appeared at the Insta Stories Festival in Cologne, Germany last month:

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Praised for celebrating the diversity of expression, they aim to release 20 to 25 films by the end of the campaign, with over 270 billboards and guerrilla OOH, appearing on train stations in Philadelphia and Milan. The concept and the print ads work nicely, but for me the short films above looks like some weird montage. What do you think?

The film compilation is a nay from me! The rest of the campaign – meh. Disappointed as a huge Instagram user and fan.

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Pride in London: Love Happens Here | WCRS

WCRS were commissioned by Pride in London to create a campaign for Pride 2017, whilst also marking 50 years since the legalisation of homosexuality in the UK. The campaign has been huge, featuring TV ads for Pride for the first time ever. In fact, the campaign has been split into two narratives – love and hate – to portray both ends of the spectrum for the LGBT+ community.

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The first part of the multimedia campaign explored hate crime, emotionally and physically, including posters, Wi-Fi takeover, an event, London taxi skins and a film:

Additionally, an advert directed by Fred Scott will appear exclusively on Channel 4 during a special season of programming, followed by four films. The emotional advert (below) ‘The Apology’, features apologies from those who have lost relationships with love ones after judging and not accepting their sexuality:

 

Love
The second part of the multimedia campaign, released today, will include digital OOH sites portraying real life love stories from members of the LGBT+ community, illustrated by 30 different artists and illustrators. Illustrators have created the works for free, using the branded heart ‘pin’ icon, which will be available at the Tate as part of their Queer Britain season.
Here’s a few of my favourite illustrations:

Love stories are available on Pride’s interactive love map:

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The ‘Love’ aspect of the campaign aims to show that love happens in London despite the sad reality of the ‘Hate’ part. Ross Neil, ECD at WCRS said:

This is a campaign that started from a negative place of hatred and has blossomed into a full technicolour, full volume, inclusive expression of love. The greatness of the creative is matched only by the sheer scale of companies and individuals.

The campaign doesn’t stop there – Pride are encouraging Londoners to create their own pins and share their love stories on social media. It’s a fantastic campaign, and whilst I’m not the biggest fan of the original heart pin design itself, the multi faceted narrative this campaign has explored is wonderful.

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