Tag Archives: advert

Project Embrace | #AFROVISIBILITY

Ad agency (and previous place of employment for yours truly when I had just started out) Quiet Storm were commissioned by branding agency Vine Creatives to create a series of posters for Project Embrace.

The campaign aims to shine the light on every day women of colour who are proud of their natural hair. #Afrovisibility is a reaction to the fact that Afro hair is rarely seen in any advertising, let alone on giant city-centre billboards, but these will feature in London, Birmingham, Manchester, Southampton, Newcastle and Glasgow.

The outdoor campaign by Quiet Storm features beautifully shot, powerful imagery featuring black women, all cast through an open audition, which includes a teacher, a finance manager, a writer, a receptionist, a student and an HR partner. The tag line “Proud to be me” boldly overlays these real women who are celebrating their natural hair.
In the last few years I have taken an interest in educating myself about the pressures placed on black women to change their hair to more European styles, and this is very evident in film, TV, music and advertising. With more and more more women of colour bravely sharing their stories of traction alopecia (hair loss from sewn in weaves and braids) and their stories of hating their own hair, it is a wonderful for black women of all ages and backgrounds to see that they shouldn’t feel pressurised to spend money on expensive weaves or straighten their hair, and should embrace the ‘fro!

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Doritos Blaze vs. Mountain Dew Ice

“The matchup you never knew you needed to see”. PepsiCo has started the much anticipated influx of Super Bowl adverts by recruiting Morgan Freeman and Peter Dinklage alongside rappers Missy Elliott and Busta Rhymes to appear in an advert for Doritos and Mtn Dew. The full 60-second spot from Goodby Silverstein & Partners is the first time any of its products have been advertised together.

The campaign concept is a lip-sync rap battle with Dinklage lip syncing to Busta’s’ “Look at Me Now” and Freeman lip syncing to Missy’s “Get Ur Freak On”. Doritos is pushing its new spicy Blaze flavor and Mountain Dew is advertising the new lemon-lime Dew Ice, so it’s fire vs. ice.

PepsiCo (North America) Chief Executive Al Carey said:

This is a great example of the power of PepsiCo’s food and beverage portfolio coming to life for consumers on one of the world’s largest stages. Doritos and Mtn Dew go perfectly together, and both brands have passionate fan bases. We think consumers will love Doritos Blaze and Mtn Dew Ice, as well as this engaging Super Bowl ad.

The campaign includes content for Snapchat lens on Super Bowl Sunday where fans can record themselves trying to lip-sync like Dinklage or Freeman. Additionally, the ads are accompanied by hilarious short clips below.

I love this concept! It’s so interesting to see two products in one advert. What a cast too.

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OkCupid: DTF

Ad agency Wieden + Kennedy (New York) were commissioned by dating service OkCupid to create a new campaign. Online dating has created a whole new set of vocabulary for millenials, like “ghosting” (ignoring someone), “nudes” (sending unsolicited naked photos), “catfish” (creating fake profiles) and “DTF” (“down to f*ck”). Using these common problems that online daters experience, the concept focuses on trying to rid the stigma of “hookup sites” and the dehumanisation of modern dating.

OkCupid’s CMO Melissa Hobley said:

In the current political and social climate, we felt a responsibility and saw an opportunity to play a part in changing the conversation about dating culture and empowering each individual to reclaim the meaning of DTF and make it theirs.

With this as the aim of the campaign, W+K used the phrase “DTF” and turned it into “down to <insert activity or interest here>”, such as “DTFight over the president”, “DTFinish my novel” and “DTFoot the bill”:

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OkCupid’s change in approach towards online dating aims to achieve substance and depth through the app’s new features, as it recently rolled out OkCupid Discovery, which lets users search by passions and interests. Interestingly, one of these is adding a “Trump filter”, which directly correlates with this campaign’s brand voice, particularly with the political references in some of the ads (above).

The photography for the campaign was shot by artists Maurizio Cattelan and Pierpaolo Ferrari, the creators of Toilet Paper magazine. Cattelan and Ferrari have a unique and recognisable aesthetic, always creating work that is brightly coloured and resembles old-school fashion advertisements. I absolutely love what they have created.
The playful nature of the art direction focuses on the fun and romantic sides of dating, rather than the historically misogynistic and disposable aspects that “DTF” dating apps (like Tinder and Grindr) have adopted. Each colourful ad is illustrated with an image against a flat, bright-hued background, making every image seem like a work of art.

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The ads will initially be rolled out in New York subways, and will eventually be displayed all over the USA. This is actually OkCupid’s first ever ad campaign which includes bus wraps, coffee sleeves, OOH posters and digital posts. The tagline “dating deserves better” is part of OkCupid’s efforts to market the service as one that can help you find a relationship, not just a hookup.

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HSBC: Global Citizen | Together We Thrive

Richard Ayoade and loads of dogs? Yes please! This new advert for HSBC by ad agency J Walter Thompson (London) is what we all need in the lead up to Brexit. The narrative explores the thoughts of many liberal, pro-EU folk by naming international everyday brands, services and products that Brits use, from Colombian coffee; to French bulldogs; to Swedish flat-pack furniture; to Indian takeaways. This is exactly what I’ve thought about after reading depressing tweets from key-board warriors defending blatantly discriminatory, anti-culture-blending “British principals”. Despite our country taking full advantage of global innovation, many Brits still express an archaic distain for “people coming into our country” (the worst phrase of all) whilst simultaneously utilising ubiquitous imported products… Ayoade wonderfully highlights this irony:

We live on a wonderful lump of land in the middle of the sea. But we are not an island. We are part of something far, far bigger.

“Together We Thrive” is the bank’s newest tagline since “The World’s Local Bank” from 2011. The 60-second TV ad is set to the soundtrack of Edward Elgar’s Nimrod, and is accompanied by print, outdoor and digital ads (which also features Ayoade, one of my favourite British comedians) to promote the bank’s sponsorship of British Cycling, its £10bn Small Business Fund and its support of The Prince’s Trust.

Adverts for banks in the UK have rarely been praised amongst creatives, because they tend to follow little to no creativity or uniqueness. I think the only time I’ve ever blogged about a UK bank is the NatWest rebrand, and that was about design, not a creative TV ad. I think this is because advertising for banks tends to focus on a service (which is understandable) rather than venturing into alternative ways to market themselves and stand out from the crowd. When banks try to create ads that speak to “the people”, they can came across as incredibly disingenuous and cringey, like NatWest’s ‘We are what we do’. With this in mind, some people may believe that HSBC and JWT have taken advantage of a currently strained political climate where a lot of brands are jumping on the “social-change” bandwagon. However, I think JWT have tackled problems with division and racism within the UK in a really clever way – by using humour and fact, mixed with core principles from HSBC’s brand background:

We have been connecting the world through trade for 152 years. Our new ad campaign reflects our proud international heritage and our commitment to helping people, businesses and communities in the UK to thrive.

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Christmas Advert: My Runner Up

Last Christmas, Heathrow Airport created this wonderful advert featuring toy bears brought to life in a love story. Perhaps it was the sentiment to an elderly couple (Doris and Edward) or my childhood love for teddybears that made my heart melt – but although this advert wasn’t my no.1 last year, it certainly made me feel all the feels:

“Coming Home for Christmas” amassed almost 6 million views last year, and ad agency Havas (London) have been commissioned again this year to create a sequel for the adorable teddybear tale:

The creative tells a similar heartwarming tale, looking back at Doris and Edward’s 50 year relationship, all the way back to the 1960s. There is something about this (maybe the way they dress) that reminds me of my grandparents. Very cute!

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Anomoly: Dear Satan

Amazing Christmas creatives don’t always come in the form of TV ads. Advertising agencies often create ‘holiday cards’ or animations to send to clients and post on social media. This year, ad agency Anomaly have created a hilarious 2D animation, with a holiday twist called Dear Satan:

The short film is narrated by the legendary Patrick Stewart, and was written, directed, animated and produced by Anomaly. The narrative focuses on what happens when you make a typo in an amusing tale about Satan’s frozen heart feeling compassion for the first time. I won’t ruin the rest of the film!

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Christmas Adverts 2017: Who is my number 1?

Well well well, this year is almost over and what better way for any creative to finish the year then to look forward to the competitive Christmas ads. Unfortunately though, this year I was thoroughly disappointed! John Lewis? Meh; Aldi, cute but the same as last year; Very, cute I guess; Debenhams, errr I didn’t get the hype; Very… cute I guess.

I had big expectations for John Lewis this year – I absolutely adored last year’s trampoline ad, but this year’s monster ad felt like a washed down version of the same vibe. I don’t know, it just didn’t do it for me. There wasn’t the same creative spark and humour.

There’s one ad that stands out from the rest by far, and that’s ASDA! Ad agency Saatchi & Saatchi created a Willy Wonka cross Wes Anderson style advert for ASDA called “Best Christmas Ever”. The ad depicts a magical tour around The Imaginarium where all of ASDA’s Christmas treats are created:

Sara Rose, CD at Saatchi & Saatchi (London) said:

Although the campaign has a fantastical element to it, our stories are firmly rooted in what Asda has to offer shoppers this Christmas, from old favourites to inventive new treats like gin infused chocolates and massive Christmas puddings. Our first thought was ‘how do they come up with these things?’ And the campaign just grew from there.
Earlier in the year we held sessions with our customers to get feedback on our Christmas range. As we talked to them about Christmas we could see how much joy and happiness planning their Christmas brought them—we knew we wanted to reflect that in our ad.

ASDA has gone full force on this campaign with the use of social by creating a Snapchat filter that turns users into the ad’s moustached weightlifters. Also, 2-second content and carousel ads feature on Facebook, and the use of Trueview videos for the first time. Trueview will connect audience search terms to relevant video content online via YouTube and Facebook.
The 60 second TV ad will be supported by 30 segments (focusing on gifting, home decorations, parties and gatherings, and “the big shop”) as well as :10s and :06 bumpers on YouTube. AND all of that will be joined by cinema, radio, print, digital OOH. And breathe.

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Chris Hughes for Mental Health Awareness: Top man | CALM

Yesterday, Love Island’s Chris Hughes released a bizarre video campaign for a collaboration with Topman called “L’eau de Chris”. The video posted on Instagram received a lot of criticism, labelling Chris a joke and a narcissist for selling the drink for £2. The post saw the 24-year-old star posing in his underwear with “Mineral water infused with a Chris Hughes tears”.

 

As an avid Love Island viewer (no shame here) I assumed that the ad was a parody and a p*ss-take – Chris is known for his dead-pan humour and providing many giggles to millions of viewers this summer. To my surprise the campaign was in fact real, but not for a self-absorbed product to build his brand. Chris has teamed up with mental health charity CALM (Campaign Against Living Miserably) to raise awareness about male mental health and the male suicide epidemic.

CALM launched the #Don’tBottleItUp campaign to urge men not to internalise their emotions after it was found in a poll for YouGov that 84% of UK men say they bottle up their emotions. Chris collaborated with world famous photographer RANKIN for this project.

L’eau de Chris? What’s really ludicrous is that suicide is still the single biggest killer of young men in the UK. We live in a culture that encourages men to “man up” and bottle things up. That’s why I’ve become an Ambassador for CALM and why together with TOPMAN we want to show men across the UK that it’s okay to open up instead of bottling it up.

Hughes is now proudly an ambassador for CALM, and broke down in tears at an event yesterday whilst explaining his own struggles with mental health. Whilst on Love Island, Chris was praised for being very open with his feelings, something which men and boys struggle with immensely. Whoever chose Chris as ambassador certainly hit the nail on the head when it comes to targeting young people, as his name is everywhere in the world of gossip and celebrity since stealing our hearts on ITV2.
The limited edition promotional run of L’Eau de Chris water bottles (yes they are real) created for Chris’s campaign launch will now be auctioned here, with all proceeds going to support the charity. Also, Topman will donate £2 from every pack of Topman boxers sold from 10th – 31st October to CALM, in support of the #DontBottleItUp campaign.

 

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The Official Food of Everything: Domino’s | VCCP

As an avid Hollyoaks fan (don’t judge) I see the same adverts at 6.30pm every weekday evening. That means I am subjected to the atrocity that is these Domino’s idents:

Those cheesy (excuse the pun) idents were created by ad agency Iris. Domino’s appointed VCCP as its lead creative and strategic agency for the UK and Ireland in April, but Iris will continue to work on the pizza chain’s digital business.

VCCP’s debut for Domino’s concepts the brand as “The official food of everything” with six TV spots, 2 of which have been aired so far:

Ads are running across radio, digital, social media, Spotify, and DOOH, alongside placements the on dating app Tinder as part of target audience of 16- to 34-year-olds. Users will see a Domino’s-branded profile card and when people swipe right they will be served an offer message to click through to the Domino’s website.

The fully integrated campaign focuses on humorous, real-life situations that narrate how food brings people together:

Forget Sunday roasts, fancy nights out and basic nights in, treat yourself to a Domino’s instead. Whether you’re feeding your squad on the go or having a family night in front of the telly, give the oven the night off and choose a freshly handmade pizza.

I think these ads are a real step up from Iris’s work. Perhaps even the best Domino’s ads (created in the UK) that I can remember! Welldone VCCP!

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Meet the Meat: M&C Saatchi

The Task Force on Human Trafficking and Prostitution (TFHT) teamed up with M&C Saatchi (Tel Aviv) to campaign for the legislation to prohibit prostitution, aiming to put an end to the prostitution industry in Israel. Mortality rates among Israeli female prostitutes are 40 times higher than the rest of the population, so M&C aimed to reduce the demand for prostitution by engaging with consumers who finance the industry.
The message for this campaign is that women are not a product for consumption, so they created a pop-up ‘food’ truck parked opposite the Israeli Parliament selling “women’s meat” sandwiches called ‘Breast Amal’ and ‘Ribs of Yael’, packaged into brown paper bags with real life stories of prostitutes:

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The experiential ‘Meet the Meat’ creative also features a truck with an illustration of a woman’s body divided into ‘cuts’, just like a cow. The vivid and disturbing creative reflects the dark facts – according to a survey by the Ministry of Social Affairs and Social Services, 12,500 women, men and teenagers are employed in prostitution in Israel.

Tzur Golan, ECD and Partner at M&C Saatchi, Tel Aviv said:

We can’t stand by and let this continue. It’s important to highlight the fact that every day vulnerable men, women and teenagers are employed in prostitution – and it’s getting worse. The best way to stop the wheels of this industry is to harm demand – if there’s no demand there won’t be supply. We wanted to create meaningful work and will continue to support TFHT as they continue to take a stand against the prostitution industry.

This is an incredible example of using advertising for social change – not just creating awareness in the most basic marketing form, but by using an in-your-face, bold and gross tactic is a sure way to get people talking. Hopefully it will get the government talking too.

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