Tag Archives: 3D modelling

Spotlight: Patrick Sluiter

Motion and 3D Designer Patrick Sluiter has a unique style to say the least. Patrick has designed fantastic work like ‘Strangers’, personal projects and my favourite ‘Stills’ in which he has created an ongoing series based on daily passing thoughts:

6db74aebec776513249248f37bb0615a697dcd42551382a9
2f45b1671fad8d2b59f651e938bc8eb8c9bd95d160a8a1696214d18801b2478ca4e68828a37c03eaf270bc8241028abdb653e9790e905bb84324ef0dcbad6c7bc52ee231052f16fcf1fd4b0df2ef2c691d5ed043

His characters are smooth and almost melancholy which are all carefully created in Cinema 4D, a programme which he has shockingly only been using for 2 years. Patrick cites inspiration in the work of other artists such as Geoff McFetridge, Alexy Préfontaine, Mike Lee, Charlie Harper, Guy Billout, Thomas Hedger, Xavier Cardona and Liron Ashkenazi Eldar.
It’s not just the form of the characters that make his unique style – Patrick’s colour scheme consists of dull, flat colour combinations that go perfectly with the overall aesthetic. Love, love, love his work.

All the animations grew from an idea of a lucid dream that seemed tangible, but would have a sense of abstraction. Some were more ‘out there’ than others but my favourite was a couple that have an outlet and plug prong for faces. There’s a clearly sexual undertone, but the goal was to show compatibility and the subtle motions you use to communicate to your significant other.

Tagged , , , , , , , , , , , ,

Pop Culture Dystopia: Filip Hodas

3D illustrator Filip Hodas has created an ongoing Instagram series exploring a dystopian world of pop-culture icons. Using his incredible talent, Filip has created these eerie images with the help of Cinema 4D, Octane Render, Zbrush, Substance Painter, Substance Designer, World Machine and Adobe Photoshop:

86b49754175543-595d473d38613b24f8954175543-5950fd167db4c0d751354175543-5950fd167d391378c4f54175543-5950fd167cfd8fe68e554175543-5950fd167d7c06fa37b54175543-5950fd167c4e3

Tagged , , , , , , , , , , , , , , , ,

TrueView: Date Series

Creative agency Feed Me Light have teamed up with dating app TrueView for a quirky animation. FML created a series of animated shorts for the new dating service based on the sad fact that dating apps make finding love far less romantic and far more scary:

Labeled the ‘Undateable Suspects’, the series was developed based on a set of characters that had been created from real research on the dangerous individuals you encounter whilst looking for love online. FML’s 3D artist Remy Dupont brought these characters to life, including the likes of Billy Bad Chat, Six Pack Stu, Two Faced Tony and Dirty Pics Derrick:

2bb3a5d7b25db98

Tagged , , , , , , , , , , , , , , , ,

Sainsbury’s Christmas Advert BTS: Better Than the Actual Ad?

‘The Greatest Gift’ was created by AMV BBDO, directed by Sam Fell from Passion Pictures, the puppets were built by Mackinnon and Saunders, the sets by Clockwork Frog, and the stop motion sequences were filmed at Malcolm Ryan Studios.

Whilst the heartwarming message of the ad (for Great Ormond Street Hospital) is very important for this time of year, I really really dislike certain parts of the execution of this advert. The narrative and idea are lovely, but the song is horrendous. I’m a big fan of James Corden’s ‘Car Pool Karaoke’, and during those videos we get to see that he actually has a really fantastic voice – so I’m not sure what on earth happened with this ad! Maybe they were trying to go for some sort of casual-dad-who-can’t-actually-sing sort of vibe, but I think it totally ruins the entire ad. Songs like Lily Allen’s ‘Somewhere Only We Know’ for John Lewis’s ‘Bear and the Hare’ (2013) ad is the perfect example of animation and music merging and flowing seamlessly into the narrative. The Sainsbury’s ad song is definitely not.

Despite all of this, the behind the scenes video above is fascinating – I had no idea it was all 3D printed and animated in studio – I assumed the production was all digital animation. It makes me like the advert a bit more… the production looks painstakingly delicate and intricate, which is why it’s such a shame that it’s ruined by an awful song!

Tagged , , , , , , , , , , , , , , ,