Category Archives: campaign

Pride in London: Love Happens Here | WCRS

WCRS were commissioned by Pride in London to create a campaign for Pride 2017, whilst also marking 50 years since the legalisation of homosexuality in the UK. The campaign has been huge, featuring TV ads for Pride for the first time ever. In fact, the campaign has been split into two narratives – love and hate – to portray both ends of the spectrum for the LGBT+ community.

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The first part of the multimedia campaign explored hate crime, emotionally and physically, including posters, Wi-Fi takeover, an event, London taxi skins and a film:

Additionally, an advert directed by Fred Scott will appear exclusively on Channel 4 during a special season of programming, followed by four films. The emotional advert (below) ‘The Apology’, features apologies from those who have lost relationships with love ones after judging and not accepting their sexuality:

 

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The second part of the multimedia campaign, released today, will include digital OOH sites portraying real life love stories from members of the LGBT+ community, illustrated by 30 different artists and illustrators. Illustrators have created the works for free, using the branded heart ‘pin’ icon, which will be available at the Tate as part of their Queer Britain season.
Here’s a few of my favourite illustrations:

Love stories are available on Pride’s interactive love map:

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The ‘Love’ aspect of the campaign aims to show that love happens in London despite the sad reality of the ‘Hate’ part. Ross Neil, ECD at WCRS said:

This is a campaign that started from a negative place of hatred and has blossomed into a full technicolour, full volume, inclusive expression of love. The greatness of the creative is matched only by the sheer scale of companies and individuals.

The campaign doesn’t stop there – Pride are encouraging Londoners to create their own pins and share their love stories on social media. It’s a fantastic campaign, and whilst I’m not the biggest fan of the original heart pin design itself, the multi faceted narrative this campaign has explored is wonderful.

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BBC Creative / Mother: Sorry Not Sorry for Being Me

Ad agency Mother (London) have teamed up with BBC Creative to create a branding campaign for BBC Three’s new project. Created by Mother Design, the campaign is for a new season of original programming about self-expression – something that sounds right up my street! This is an integrated campaign, which the audience can contribute towards. Engaging with young, diverse viewers with a message about identity and uniqueness, the aim is to promote BBC Three, and ignite a conversation about self-identity. The campaign also encourages viewers to create their own poster and share it on social media platforms.

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The campaign includes online media, DOOH, billboards, broadcasting through the BBC’s own channels, and social media:

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I’m definitely a fan of this campaign both in terms of concept and execution. The art direction is simple but bold. It’s also nice to recognise the faces of those in the campaign (above)!

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Skittles: Give the Rainbow | Disingenuous marketing tactic or LGBT+ ally?

Last year, ad agency adam&eveDDB (represent!) created a campaign for Pride by stripping off their iconic rainbow colour packaging. The “letter” part of the campaign reads:

So this is kind of awkward, but we’re just gonna go ahead and address the rainbow-colored elephant in the room. You have the rainbow … we have the rainbow … and usually that’s just hunky-dory.  But this Pride, only one rainbow deserves to be the centre of attention—yours. And we’re not going to be the ones to steal your rainbow thunder, no siree.

This year, Skittles have brought back the campaign, and it got me questioning the disingenuous nature around using LGBT+ issues for marketing purposes. I’ve blogged about this concern numerous times, and I think it’s important to do one’s research before making any assumptions about a brand’s sincerity. I’m sat at my desk in adam&eveDDB writing this, so putting my bias aside I automatically had negative connotations towards this campaign as many brands use social issues as a marketing ploy. My first thought was “what are they doing to actually support the LGBT community in a physical way? Are they donating? Are they providing support for LGBT youth? Are they supporting families who have lost victims of transphobic violence?”
On a totally creative, marketing, ideas-based note, the campaign idea itself is great – simple, but great. There’s been a weird online backlash claiming that the sweets are racist for promoting “white Pride”. I don’t understand that. The campaign has nothing to do with race.

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Skittles’ aim was to tell Pride that they didn’t want to steal their “rainbow thunder”, but some have said that using the the LGBT rainbow connotations as a campaign is doing exactly that. With these LGBT issues so close to my heart, it’s hard to see past the fact that Skittles (Wrigley UK) are just doing their job – creating a marketing strategy to boost sales and awareness of the brand.
However, the positive side of me wants to say that all publicity is good publicity – if a brand is openly supporting their LGBT employees and consumers, that can’t hurt! In reference to my earlier point regarding actions speaking louder than words, I discovered that for Pride 2017 the limited edition rainbow-less Skittles packets are in association with Tesco, who are donating 2p per packet to Tesco’s LGBT+ charity partners. Skittles aim is to show their support again for Pride, and to celebrate diversity and inclusion. I’m glad this statement is backed up by an actual charitable donation rather than jumping on the back of a very important celebration of human rights.

To conclude, Skittles absolutely are LGBT+ allies, and I’m so happy to see that Tesco are too!

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Nike | Go Lighter, Go Longer: ManvsMachine

I’ve been a huge fan of design and motion studio ManvsMachine for years, and their latest award winning project for Nike goes to show that they’ve undoubtedly still got it! Winning the only UK design studio gold at Cannes Lions 2017, they explored the created a “metaphorical exploration of air and the negative space it occupies”.
The campaign was created for the new Nike Air Max, exploring negative space with a colour scheme I’ve totally fallen in love with.

The designs work flawlessly as both a motion piece (above) and as 2D images (below). The campaign has been executed across numerous mediums including social media, DOOH, billboards and product packaging. I am obsessed.

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Volkswagen: Laughing Horses

I’ve discovered a gem – an ad for VW’s ‘Park Assist’ feature from their Tiguan model campaign (2016). The advert is by Grabarz & Partner (Hamburg), and proves that there’s no excuse for boring car ads!

There’s an interesting post which mentions how the ad went viral after testing it before release:

The video proved to be one of the best automotive videos ever tested, scoring significantly above average on key criteria like enjoyment, brand fit and brand appeal. As a result, Volkswagen released the video on Youtube.de where it was watched over 2 million times and uploaded by others. The video’s success prompted Volkswagen to use it on TV, and at last count the video had received over 36 million views across all platforms.

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California: Designing Freedom | The Design Museum

If you haven’t been to the new building for the Design Museum which recently relocated to Kensington, you are missing out. The architecture and gift shop alone are worth a visit!
The exhibition “California” caught my eye based on the parts that explore ‘freedom’. The exhibition explores more than just the expression of human rights freedom:

California: Designing Freedom explores how the ideals of the 1960s counterculture morphed into the tech culture of Silicon Valley, and how ‘Designed in California’ became a global phenomenon.

The central premise is that California has pioneered tools of personal liberation, from LSD to surfboards and iPhones. This ambitious survey brings together political posters and portable devices, but also looks beyond hardware to explore how user interface designers in the San Francisco Bay Area are shaping some of our most common daily experiences. By turns empowering, addictive and troubling, Californian products have affected our lives to such an extent that in some ways we are all now Californians.

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Aside from the array of Apple inventions and iconic technological advances that California has blessed the world with, the most interesting part of the exhibition for me was “Say What You Want”. Described as “tools of self expression and rebellion”, this part of the exhibition showcased artefacts that were created to highlight racism, sexism and homophobia:

P.S. sorry for the awful photo quality! Taken on my phone.

It was incredible being able to be so close to relics that were created to protest against the biggest human rights movements in the world. They even displayed newspaper articles from the past, and contemporary pieces created against Trump’s America.
I cannot recommend this show enough. It has to be one of my (if not THE) all time favourite exhibitions.

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Type With Pride

Gilbert Baker was the creator of the iconic Rainbow Flag (1978) and an LGBTQ activist and artist. On 31st March 2017 Baker passed away, leaving a legacy of one of the most iconic and globally recognisable flags.

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To honour him, NewFest and NYC Pride collaborated with ad agency Ogilvy & Mather and typeface creator Fontself to create an open-source font called “Gilbert”.

The Gilbert font was originally designed for striking headlines and statements that could live on banners for rallies and protests and it is now currently being built out into a whole family of weights and styles. The font is available in two versions, a standard vector font and a colour font (in OpenType-SVG format) currently usable in Photoshop CC 2017 only. Both are early beta previews that you can download below for free, and you can follow @TypeWithPride on Instagram and on our development blog for news about new font weights, styles and creative contests.

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You can see more examples of the font on posters here. Whilst I love the sentiment, and the context behind the idea, I can’t say I love the font itself. Personally, I think it works best as either singular letters or very short phrases/words (which is perfect for ‘LGBTQ’). However, with long quotes such as the one on my header image above, it just doesn’t work for me. What do you think of the font?

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Meet Julia: Sesame Street’s First Autistic Character

Sesame Street is incredibly nostalgic for me – I used to watch it every lunch time with my mother whilst eating shepherds pie after a morning at pre-school. Random. Anyway, Sesame Street is a truly iconic American show that seems as immortal and recognisable as The Simpsons. The difference between this and other kids shows is that Sesame Street was created (in 1969) as an experiment with the intention of finding out whether television could be used to educate young children. We now know how influential both TV shows and adverts can be on children. Since, they’ve written story lines ranging from basic learning skills to race issues and even coping with death.
On April 10th, “Sesame Street” aired the special episode “Meet Julia” on HBO to introduce viewers to their newest character. Julia was created as part of the ‘Sesame Workshop’ (the non-profit educational organisation behind Sesame Street), alongside their autism initiative, Sesame Street and Autism: See Amazing in All Children’For years, Sesame Street received requests from parents to feature storylines surrounding autism, so Stacey Gordon (plays ‘Julia’, below) and Christine Ferraro (the writer of the “Meet Julia” episode) who both have close family relationships helped bring this character to life. Stacey was uniquely placed to take on the job as her son has autism: “Had my son’s friends been exposed to his behaviours through something they had seen on TV before they experienced them in the classroom, they might not have been frightened. They might not have been worried when he cried. They would have known that he plays in a different way and that that’s OK.”

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A common concern amongst parents of autistic children is how their peers will understand, communicate with them and treat them. As autism has such a broad spectrum, the team wanted to ensure that Julia was represented based on extensive research into common traits of kids with learning difficulties.

Bringing Julia to life as a Sesame Street Muppet is the centrepiece of all of our new materials to support families of children with autism. The response from the autism community to See Amazing in all Children has been extraordinary, and we are committed to continuing our efforts to promote understanding and acceptance of autism, as part of our mission of helping all children grow smarter, stronger, and kinder – Sherrie Westin, EVP of Global Impact and Philanthropy, Sesame Workshop

Although the team were cautious regarding the representation of such a broad learning difficulty in just one character, writer Christine wants Julia to exist as herself, rather than be known as “the autistic one”. Aside from this, the main aim is to teach viewers about inclusion, understanding and patience. I don’t know if it’s the childhood personal tie I have with Sesame Street, but watching the intro video above actually made me quite emotional – the way in which Julia is represented is so endearing and gentle, with Big Bird patiently trying to understand all the facts about her learning difficulty. Scenes include Julia meeting new people, the relation between autism and eye contact, common physical reactions like “flapping”, becoming overwhelmed when she hears sirens and the heartwarming scene where they all join in on Julia’s version of ‘tag’.

The most important part of this well-written storyline is how they have steered away from Julia’s differences being the source of confusion or fear, and instead created the narrative to focus on the rest of the muppets enjoying their relationships and having fun. Whilst parts of Julia’s behaviour were clearly explained to Big Bird and the viewers, the main focus was on integrating Julia into the group, like all the other muppets. My heart has melted!
It just goes to show that whilst TV can be a very scary place for easily influenced children, creatives and marketers can use their platform to educate in a way that has never been done before.

 

P.S. take a look at the comments on the YouTube video – lots of users have praised the creation of Julia as something they wish they could have seen on TV as children.
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Aardman | Morph: emoji stickers for iMessage

Aardman’s ‘Morph’ is a serious trip down memory lane for me – a real childhood favourite on SMart, and an immortal TV icon. Animation studio Aardman have previously released ‘Face Bomb’ stickers for iMessage to celebrate 40 years of animation history in 2016:

Now, they have released ‘eMorphjis’ for iMessage as animated stickers that can be sent as emojis or incorporated into photos:

The Face Bomb sticker pack looks like it works better as face filters on photos, rather than emojis. What makes Morph so perfect for this social campaign is his recognisable face and adorable emotive expressions. Also, Morph as a character is a universal face that on TV often replied to presenter Tony Hart in gobbledygook, but with meaningful gestures that could be understood by all ages and languages.
Morph co-creator Peter Lord made each of the emojis from modelling clay before graphics and animations were added:

When someone said to me; ‘We could do Morph emojis’ it was like this huge lightbulb going on. Of course. That’s just perfect! Morph has a lovely round face and he does great expressions; he really is like a living emoji. Who wouldn’t want Morph’s happy (and sometimes grumpy) face all over their messages? Bless him. So I jumped on the idea, and I’m so happy with the way they’ve worked out, they’re really funny and charming.

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Lysol: Protect Like a Mother

Mother’s Day in the US is imminent, so ad agency McCann (New York) and cleaning products company Lysol teamed up for the campaign “What It Takes To Protect”. Lysol is probably the US equivalent to the UK’s cleaning brand ‘Dettol’, and instead of marketing their anti-bacterial products like most competitors do, globally, they adopted a more emotional and sensitive take on protecting against germs.
The adorable narrative celebrates the protective strength of parents, with Lysol there to help them, focusing on the universal human instinct to keep your loved ones safe. Using metaphors for protection against germs, we see animal mothers protecting their human children against rain, bullies and accidents.

The campaign expands beyond TV and digital, as Lysol will host an experience in Brooklyn Bridge Park called “Protect like a mother: an exhibit presented by Lysol” over the US Mothers Day weekend (14th May). It aims to highlight the most fierce protectors in the animal kingdom: mothers, and will include large scale animal installations that children can interact with.

I think it’s a fantastic concept! So much more effective and memorable than the cringey cleaning ads we’re used to.

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