Category Archives: art

#FreeTheFeed: Mother London

Ad Agency Mother created a Mother’s Day project for the UK’s holiday (Sunday 26th March), to make a statement against the judgement placed upon mothers who breast feed in public:

A celebration of every woman’s right to decide how and where they feed their children without feeling guilty or embarrassed about their parenting choices.

So, Mother created a giant inflatable breast and placed it on top of a building in Shoreditch on Sunday. The very detailed and very large breast boldly designed by the creative team aims to spark conversation about the attitudes towards the most natural form of feeding. Alongside the outdoor installation, Mother created a series of posters displaying the hashtag “#FreeTheFeed” and the reasons behind the project.

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I’ve always found it bizarre how people are happy to drink milk from a cow, but heaven forbid another human! This is a fantastic in-your-face, no-f*cks-given approach to a campaign, showing that social design is what we need to ignite conversations about outdated stigmas.

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D&AD Identity 2017: The Beautiful Meme

Agency ‘The Beautiful Meme’ have been commissioned by D&AD again to design the creative for the 2017 D&AD Festival. The iconic D&AD Pencils have been animated alongside textures, designed to individually represent the award levels or categories from the D&AD Professional Awards.

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Ben Haworth, Creative Director says:

In advertising and design the D&AD pencil, the symbol of excellence, is ever-present. Around it the industry is weft and warp and flux. Nothing stays still and that’s as it should be. That’s what this year’s identity is about.

This amalgamation of 3D, geometry and motion design is proving to be a very popular design trend, and this has to be my favourite identity for D&AD to date. I particularly love the black Pencil above as it’s using just one colour (bar the yellow D&AD logo), which also happens to be my favourite colour… Also, the animation reflects the popular gif culture that has taken over the art and design world, with the designs working well as both statics and animations.

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Spotlight: Artist James Joyce

10 days after the US election, artist James Joyce created this cover for French magazine ‘Le magazine du Monde’. The magazine itself has some fantastic covers and images on their instagram, and Joyce has also created some incredible work. Joyce’s recognisable work includes the use of a variety of media including painting, drawing, moving image and screen-printed editions. His most recognisable work being ‘Dismaland’, commissioned by Banksy, which included a video installation that then turned into the cover image for the programme.

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The style of Joyce’s work for Dismaland has translated into the cover below, following his iconic style of bright, iconic shapes and striking compositions. His work has been featured in a tone of exhibitions and curated by brands like Apple, Nike, BBC, The Guardian, The New York Times.

Joyce has perfectly encapsulated the consequences of Trump’s presidency. I think other than the composition itself, the fact that no images of Trump himself were used, yet the message is so easily translatable to all languages, speaks volumes.

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Guinness (St Patrick’s Day): Iris & mcbess

St Patrick’s Day (Friday March 17th) is just around the corner, so ad agency Iris have teamed up with esteemed artist and illustrator mcbess to create a series of illustrations for their client Guinness.

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Featuring the line “Let’s Get Together”, mcbess has created characters enjoying the iconic drink, surrounded by numerous recognisable previous brand references such as the toucan (below), surfers and ‘sapeurs’ (AMV BBDO).

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Although mcbess is a hugely talented artist, and a favourite of mine, I can’t see past the TfL ads which have dominated the London Underground and therefore remained associated to TfL in my mind:

However, it’s certainly proved beneficial for mcbess that his work is instantly recognisable, due to the monochrome and complicated personal style, which has caught the attention of other brads like Nike, Converse and Jack Daniels.

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The Boy Who Fell and the Man Who Picked Him Up Again

Illustrator and animator Hanne berkaak collaborated with the Norwegian leading professional organisation in psychological trauma, RVTS Sør, for an animation about self-harm. RVTS Sør work with those experiencing violence and traumas, migration health issues, and suicide prevention. Their primary goal is to ensure that those in need of support are met by conscious and competent professionals in all areas of the health services, with dignity and care.

This topic is really hard to tackle without creating something really obvious, or cringe-worthy, or untrue, or triggering. The list goes on! Hanne has managed to convey the struggles with self harm in an imaginative, relatable and warm way. As someone who is open about my own mental health and self harm addiction, Hanne has created something that I find incredibly relatable, totally appropriate and not like anything I’ve ever seen for this sort of topic. I also like the way in which the adult is portrayed – he is not hysterical or accusatory – which is how the adult confided in usually reacts (from my experience). Hanne portrays the teacher who clearly goes the extra mile for the boy, in a sensitive and calm way. Using muted colours contrasted with bold reds, she represents the physical cuts metaphorically without being distasteful or graphic.

Hanne said:

Doing research for the project, I found that children and teenagers often could remember that one person who did something out of the ordinary and made a huge difference. The film tries to encourage professional support workers to have the courage to meet traumatised children in a dignified way, not as clients, but as humans.

Hanne brought her emotional illustration to life with the help of lead animator My Eklund and producers from Mikrofilm.

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Spotlight: Daniel Arsham

Contemporary artist Daniel Arsham has created some fantastic and very popular work, but one project has caught my eye. ‘Future Relics’ features a series of fossilised contemporary items such as cameras, Walkmans, phones, furniture and clothing. Based on Arsham’s theory that mundane objects will soon become completely obsolete, he created “future versions” of objects, cast in white ash and other materials like glacial rock dust, ground volcanic glass, hydrostone, rose quartz, and steel. To create the crystallised objects, Arsham casts a mould of the object; crushed calcite is then pressed into the moulds with a binding agent, and if wax is added to the mould in certain areas, it causes those parts to not bind. The effect is amazing…

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Things we associate with the present, as if they were crystallised over millennia.

Arsham created over 3000 pieces for exhibitions including ‘The Future is Always Now’ and ‘Remember the Future’ alongside a film series, focusing on a world many years down the line, in which a major and transformative ecological shift has occurred.
Arsham collected a tone of objects for this project, mainly from eBay! He has said that he started to think of eBay as a “bizarre Library of Alexandria”, but these mundane objects weren’t all Arsham used for fossilisation. Visit his website or his instagram to see more stunning images:

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They are so bizarrely satisfying to look at.

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FOX Channel’s Pop-Up Tattoo Studio

Last year, FOX Channel teamed up with creative studio Black Ship to create a tattoo studio, where fans of their shows such as The Simpsons, The Walking Dead, Family Guy, Prison Break, Futurama, American Horror Story, American Dad, How I Met Your Mother etc. could get inked with their favourite characters. The studio was created for last year’s Comic Con Portugal, lasting 4 days, consisting of 4 local artists (from Heavy Handers Tattoo studio) who designed more than 80 tattoo options related to the wellknown series of FOX and FOX Comedy.
The ink was free, resulting in over 100 people receiving their favourite characters, logos, objects and quotes of their chosen FOX series. Those who were too slow to book a place were able to watch via livestream on social networks.

Now that’s a bold (and permanent) idea for a campaign! Great video editing by Black Ship.

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Spotlight: Bompass & Parr (Valentine’s Day special)

Bompas & Parr “leads in flavour-based experience design, culinary research, architectural installations and contemporary food design”, and you might have seen their previous work go viral…

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Grope Mountain, was originally launched in 2015 at the Museum of Sex (New York) as part of FUNLAND, “an interactive exhibition about the pleasures and perils of an eroticised fairground”. The project consists of a climbing wall where the traditional “rocks” are replaced with ones shaped like genitals, which in turn influenced the creation of ‘Grope Sans’, a naughty typeface created for Valentine’s Day.

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Flo Fairweather (graphic designer at Bompas & Parr) said:

It’s surprisingly easy to turn most type forms into penises, vaginas and breasts. There are up to three variations on each letter, so an even representation of male and female parts can be achieved with every word. Every minor adjustment I made was laughter-inducing

I was struggling to find something to blog about for Valentines Day – I couldn’t find anything that particularly stood out. Well, this certainly did! I had briefly heard about Bompas & Parr’s ‘Grope Mountain’ project through social networks, but the rest of their portfolio is certainly equally as unique, bizarre but undoubtedly pushing creative boundaries.

 

source: itsnicethat
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Comic Sans: The Man Behind the World’s Most Contentious Font

Ha, bless him.
Great Big Stories interviewed designer Vincent Connare as part of a Frontiers series. It’s a must watch, as aside from the hilarity of Comic Sans, I really love the animation and art direction in this video!

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Spotlight: Michał Kulesza

Graphic designer Michał Kulesza has a range of different work in his portfolio, but the Lego projects he has created certainly stand out. In 2015 Kulesza created a ‘Lego photo project’ by capturing every day objects featuring parts made with Lego, in part 1 ‘Daily Lego Project’. The project started in 2015 and lasted 135 days, capturing a new scenario every day.

I created different grotesque or even absurd daily situations. I took photos in minimal composition and every time I showed new ideas. In my work I just wanted to make people smile.

You can view all the images here, but here are a few of my favourites:

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Part 2 of the project, named ‘Legoman Daily’ features a narrative where Kulesza falls into a box of Lego whilst photographing Part 1 of the project, and subsequently turns into a Legoman himself!

The surprising effect of this crash was that my hands and head were transformed into parts of lego man figure. In this way I created an everyday photo journal after weird accident. How I have to struggle with life challenges and how looks my sad reality. Project was realised as previous, everyday I took just one photo for 106 days.
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I love these projects! Both the concept, the narrative and the output are fantastic, and it certainly made me smile.
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